Showing 325–336 of 445 results
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Victorian painted chest of drawers
Painted pine chest of drawers
English and Victorian c.1870
A later scumble finish was stripped back to the drawers original cream coloured finish. Wear in all of the right places which gives you an idea as to how it was used and the life it has led
Well proportioned from the drawers to the turned feet. Chests of this authentic calibre are not commonplace as many have been completely stripped
A lead in interior design
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Rustic victorian overmantle mirror
Victorian overmantle mirror
English and from the final quarter of the 19th century c.1875-1900
Originally gilt. Over a lifetime, the mirror had multiple layers of paint which in turn have been removed down to an early 20th century cream paint. The original gilt is revealed throughout various areas of the frame
A rather rustic finish, adding decorative appeal. The mirror plate itself has some relatively small amounts of foxing whilst larger sections have begun to smear and fog with the telltale brown tints
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Cast iron fire surround of large scale
Victorian cast iron fire surround of almost intimidating proportions
English, circa 1870
Come apart into 4 pieces for easier transportation
Depending on your aesthetic, it can either be used as it is or you can have the surround shot blasted to remove rust and then paint as required
It’s original home was a mill in Hertfordshire
Height 170cm – Width 168cm – Mantle width 180cm
Opening size
Height 137.5cm – Width 122cm
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Victorian pine linen cupboard
Pine linen cupboard
English, mid 19th century c.1850-1870
A scumble painted finish is the bottom layer followed by an early 20th century dark paint and stain. Following the course of time, naturally the finish has worn, blisters in the top coat, tones of green subtly show when the light hits
You could say over designed. From the top, a multi layered cornice followed by a panelled door, flanked by a pair of coordinating panels. Internally, a pair of tongue and grooved shelves aid ease of storage. A healthy sized beaded drawer sits in a protrusive lower section beneath the main cupboard, giving an authoritarian standing
A cupboard true to itself
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White washed hall table
Pitched pine hall or side table
In an earlier life, most likely during the mid 20th century, it had multiple layers of gloss added. More recently, a previous owner removed the paintwork which has left the white washed finish as seen
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Victorian pine farmhouse sideboard
Pine sideboard
English, late Victorian era c.1880
Classic farmhouse aesthetic. A pair of drawers over a cupboard with a full width shelved interior. A slightly oversized top adds visual interest whilst white ceramic knobs soften the image of the piece as a whole
The cupboard has likely sat by a window, sun gazing for many years. This in turn lightens the colour of the timber, giving an almost naturally occurring bleached effect
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Church scriptures
Church scriptures on a pine easel
These were found in the attic of a Methodist hall in Kimberley during renovation works
A large quantity of church verses, hymns and prayers from the bible, dating between 1936-1949
Pages torn and left with powerful keywords, allowing our minds to run and create our own literature
Hugely decorative with a dark and dingy undertone, a piece to set the mood of a particular space
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Victorian original painted chest of drawers
A Victorian original painted chest of drawers
English. Late 19th century c.1890
A later mahogany scumble finish was removed to uncover the drawers original pinky red paintwork
An interior design staple. Traditional in design but fun in colour. Whether it were to add a splash of colour to a neutral palette or to enhance existing decor, a painted piece of furniture can set the tone or mood for a space
Be brave. Be bold….
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Canal scene oil painting
Canal scene oil painting by an amateur artist based in Essex
An image of a bygone era, an industrial heartland such as Birmingham
A happy scene, it makes you smile
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Floral still life oil painting
Floral still life oil painting by an amateur artist based in Essex
An array of vibrantly coloured flowers sit on a dark and almost dingy backdrop
Some minor losses and blemishes visible when the sunlight hits, enhancing the paintings moody aura
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“Studio scene” oil on board painting
A charming mid 20th century oil on board painting from one of the many Rudolph Steiner schools. Judging by the artists name, the paintings origin lies in Germany
“Studio scene”
The image as a whole is almost romanticised. An initial pop of vibrant blue, a backdrop of softer blues and then surrounded by an array of darker, almost masculine undertones
Romantic yet moody
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George III oak bureau
A George III provincial oak bureau
English, late 18th century c.1780
Sitting proud on a rather unusual but interesting set of tapered legs. A single frieze drawer and a selection of smaller drawers internally aid storage
A well proportioned desk, traditional and rather cool simultaneously